Ask an Activist: Carla Fuller, Help the Refugees

With National Welcoming Week this week (Sept. 13-21), Levine Museum is reaching out to the Greater Carolina community and asking how we can create a more welcoming environment for all newcomers. 

As part of our Welcoming Week events, Levine Museum spoke with Carla Fuller, who works with Burmese refugees and is making a difference in her own backyard. 

Carla became involved with the refugee community about 6 years ago after four Karen (an ethnic group from Burma) girls moved in with a family from her church. She soon met their friends in Charlotte and continues to visit them frequently. Since she lives a few hours away, the community invites her into their homes to stay with them.  She has come to love their culture, food and most especially their children. 

Although they may not always be able to communicate in English and she has yet to be able to fluently learn their language, communication seems easy. In addition to her new friends, she has been honored to meet the men and women of Charlotte who are dedicated to the refugee community.  Says Carla, “there is a great network of folks who work together to help refugees and I am proud to have come to know them.” Of course, there is always a need for more people and she is always encouraged when she sees someone new get involved. 

Unfortunately, there are people hostile to newcomers and changing demographics. How can we combat this? 

I think as others get to know the refugees personally, they will understand that they are just like us. They have the same wants, needs and concerns.  

When someone first gets involved, it can be hard to find common interests, especially with the language barrier. The refugees understand that it is difficult for us to reach to them and are just thankful we try.

For me, it was taking a family to explore downtown and eat ice cream for the first time that helped us bond.  Six years later, this family has just purchased their first house and they are doing very well.  It is such a joy to have been a part of their lives and share in their journey. Sometimes I forget that in the beginning we couldn't even speak to each other without an interpreter, but now we can have great conversations!

If there is someone wanting to get to know a newcomer, but not sure where to start, I would recommend contacting one of the local organizations. They can put you in touch with a family or individual who would welcome your concern for them.
  
How can we work to combat immigrant stereotypes?

The same as above.  Get to know them and see that they hard working people coming to America to escape oppression and war. They must learn a new language, a new culture, new health care system and so many other things. They have the same love for their families and are just like us in so many ways.

How can we strengthen the voices of communities that otherwise go unheard?

Reaching out to the community leaders of the various ethnic groups will help make the connection.  Going to meet them in their own communities will give them a level of comfort that otherwise they would not have.  They are still very shy and intimidated by Americans.

How can we teach self-advocacy to those within the immigrant community? 

Working with community leaders to find out what they specifically need and having programs around their schedules would be beneficial.  Drivers’ training is one of the most necessary components to self-sufficiency. There isn't much funding for it, so they are teaching themselves with deadly consequences.  

Ten years from now, how do you envision a more welcoming Charlotte and a reinvented New South?

I would hope there would be many more Americans reaching out to the community.  So many folks go overseas on mission and humanitarian trips when they are here in our own backyards. 

I asked one man why the refugees in the camps are always so excited to see the Americans visit and he said because that is how they think all Americans will be when they come to America.  It gives them hope.  But, then they come here and often they don’t find the kind hearts of the missionaries and humanitarians.  Instead, they are often preyed upon by unethical people.

What does your organization do to celebrate and welcome newcomers to Charlotte? 

When we learn of new arrivals, we put the word out to other refugees.  They know firsthand the struggles that the newcomers face.  They take them food, welcome them and then continue to check in on them and assist in however they can.  In addition, the other Americans who are volunteering in the community will try to bring them clothes, food and other items they may need.  Unfortunately, there are not enough people to call upon and many are stretched thin. 

For more information about Carla and the work that she does, visit her website, HelpTheRefugees.com

Join the conversation: 
Levine Museum is hosting a Tweetchat on Wednesday, Sept. 17, from noon-1 p.m. on Creating A Welcoming Charlotte.

Follow and participate on Twitter at @LevineMuseum and use the hashtags #WelcomingCLT  #welcomingweek

Ask a Curator: Bonnie Gurewitsch, Beyond Swastika and Jim Crow Part Two

Today, we continue our two-part interview with Bonnie Gurewitsch, the curator of our new exhibit, Beyond Swastika and Jim Crow: Jewish Refugee Scholars at Black Colleges. You can read part one here.

What would you like visitors to take away after viewing the exhibit?

My own experience of studying with a black professor at Brooklyn College in 1961-1962 was a highlight of my undergraduate experience. It was my first encounter with a black scholar, and it opened my eyes to the encounter between cultures and the pre-conceived notions people can have about each other. I saw how this played out in the Beyond Swastika story. I would hope that visitors would take away the lesson that the universal values of equality, fairness and kindness are applicable to all people.

How can the experiences of those profiled in the exhibit become lessons for present day students?

The experience of the scholars-immigration and integration into a new society-will resonate with many visitors who are themselves new Americans. Visitors might identify with the strong motivations of the students, who came from backgrounds that were deprived of material things but not of aspirations and the values of hard work. That two such different groups could come together to share experiences, skills, and knowledge and create an integrated world of mutual appreciation on campus, is a model of peaceful co-existence that would be useful today.

***

About Bonnie Gurewitsch

Bonnie Gurewitsch recently retired as an Archivist and Curator at the Museum of Jewish Heritage- A Living Memorial to the Holocaust, in New York City. She has been a Holocaust educator and oral historian for more than 40 years, Ms. Gurewitsch was a pioneer in the effort to develop a systematic approach to recording and cataloging Holocaust oral history. Ms. Gurewitsch lectures frequently and has served as consultant to several scholarly and educational projects, including the Survivors of the Shoah Visual History Foundation, founded by Steven Spielberg. 

A SURPRISING CONNECTION

A REMARKABLE LEGACY

Beyond Swastika and Jim Crow tells the compelling but little known story of Jewish professors who fled Nazi Germany during WWII, came to America and found teaching positions at historically black colleges and universities in the South. There they came face to face with the absurdities of a rigidly segregated Jim Crow society.

Discover the connections and encounters between these refugee scholars and their students, and their great impact on each other, the Civil Rights Movement, and American society.

Beyond Swastika and Jim Crow: Jewish Refugee Scholars at Black Colleges is on display now through September 14. 

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Ask an Activist! Out of the Shadows: Undocumented and Unafraid

Out of the Shadows: Undocumented and Unafraid is a participatory art project, conceived and orchestrated by artist Annabel Manning. Immigrant youth from Charlotte and the Triangle area of North Carolina collaborated with Manning to create portraits, which were then digitally altered to portray the youth's visible and invisible status simultaneously.  Compelling and personal, the pieces featured in the exhibit demonstrate how art can be a deliberative and imaginative forum for exploring complex issues about immigrant labor, education, and legal status.

Please meet activist and artist, "Touchdown" 

Does the concept of being both visible and invisible relate to your experience, and if so, how? 

Yes. I participate in this society as any other regular person but then there are moments that always remind you that you are not quite the regular person…that there is something missing and that it will limit you. Traditionally, before growing to questioning the immigration system and all that benefit from its lack of working, I understood that not having legal status must be kept secret or invisible as much as possible. Every day was about negotiating identity in a home that is not “your own.” Even today with all the empowerment that has come from being involved in the immigrant youth rights movement, it is still difficult to branch out outside of social justice circles and be fully visible. You don’t know how people will react…to a certain point one may not care but the fact is that the system in which daily life functions with things such as employment, you must be kept invisible or at least the full you and your identity must not be known. At the end of the day it is still a liability upon which many things depend on. 


When did you first become aware of your circumstance of being undocumented? What is it like to be undocumented?

I became aware of this status upon crossing the border by foot with my family. Additionally, it became evident that I was different when I was in school K-12th grade. I was very aware of this immigration status because everything was pointing in the direction of hiding it or making it invisible and just faking it but as youth sometimes that is the last thing you are willing to do. I did not want to participate in a mock presidential election at my elementary school because I had to vote and I knew then that was not allowed for someone like me who did not have a social security number. For me being undocumented became about learning how to negotiate my presence anywhere I went and often being very scared to open what I thought would be a Pandora's box type of situation. However, you learn that life has to continue and if you don’t go back to “your” country then you have to learn the ins and outs of living while being “illegal.” This encompasses everything from your friendships to your goals to the practical thing of getting fake social security numbers in order to get a job somewhere. That’s the truth. This country and its politicians push us to these fringes in which we have to make decisions for which results in either direction have you as the “illegal” losing out. 

What is your dream for immigration reform?

I don’t dream about immigration reform…anymore. I just dream of an empowered community that comes to understand that with or without immigration reform we are worth it and must not live afraid. If there is no reform then I would hope that undocumented people would live life being unafraid and willing to risk it all in this country because the alternative means losing our dignity. 


What does coming out of the shadows mean for you?

Coming out of the shadows for me means a process of healing. It does not necessarily get rid of the fear. Coming out of the shadows means you allow yourself to consider the possibilities of being deported or targeted and having a plan of action for that. It means breathing like you own yourself and your future instead of a nine digit number. It is only the beginning of a longer term process for liberation. 


Out of the Shadows: Undocumented and Unafraid is on display now through June 29, 2014.

Tell us below what does activism mean to you.

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Ask an Artist! Out of the Shadows: Undocumented and Unafraid

Out of the Shadows: Undocumented and Unafraid is a participatory art project, conceived and orchestrated by artist Annabel Manning. Immigrant youth from Charlotte and the Triangle area of North Carolina collaborated with Manning to create portraits, which were then digitally altered to portray the youth's visible and invisible status simultaneously.  Compelling and personal, the pieces featured in the exhibit demonstrate how art can be a deliberative and imaginative forum for exploring complex issues about immigrant labor, education, and legal status.

Please meet artist and activist, Annabel Manning

What impact do you hope “Out of the Shadows” will have on the public?
I hope that the artwork in Out of the Shadows: Undocumented and Unafraid will show the public how it feels to be in this state of being invisible and without rights. 

I am also interested in the complicity that all the documented (myself included) should feel for the predicament of the undocumented because we are partially responsible for it. I believe all U.S. citizens are complicit because we are benefiting from the work and culture of the Latinos and because, directly or indirectly, we help to make or keep them invisible. My hope is that the public will develop a sense of responsibility for this issue and fight for the rights that the undocumented youth deserve.

How has this Movement changed you? 
The visibility in the general public in North Carolina that the student youth have attained thus far has inspired me to expand this project.  The goal is to provide even more Latino undocumented youth (and their families) with art tools that allow them to express themselves visually and to engage the public in discussions or confrontations about the youth’s specific dreams and demands for immigration reform. 

How did you choose the medium for your artwork?
The show includes photographs, sunprints, monoprints, and a digital installation (with camera, mirror and projection) – all reflecting the youth’s experiences of feeling invisible in their communities, outside their families and friends, separating them into two selves: how they see themselves versus how others see them. This theme emerged from my discussions with them and then we adopted the mediums to capture it in multiple ways.

What does activism mean to you?
To be able to create participatory art activities with communities like Immigrant Youth Forum (IYF) and United 4 the Dream (U4TD) to engage the public in discussions or confrontations about the youth’s dreams, fears, and demands regarding civil rights, education, labor, and citizenship. 

Out of the Shadows: Undocumented and Unafraid is on display now through June 29, 2014.

Tell us below what does activism mean to you.

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Ask an Artist!: View From The Other Side

View from the Other Side features local artists' response to the previous exhibit, Network of Mutuality: 50 Years Post-Birmingham. The artists created pieces working within the topic of Civil Rights struggles in our region. Both exhibits are a part of the Museum's two-year series, Destination Freedom: Civil Rights Struggles Then and Now. To bring further insights into the exhibit, we took the opportunity to ask the artists about their artwork, what in history inspired them to create it and what they hope guest gain from their art. 

Next up: Rosalia Weiner, Local Artist and Founder of Project Art Aid


What part of history inspired your artwork?
My work is heavily influenced by current events. In my view, what is happening with immigrant rights, immigration reform, and the rise of Hispanic culture in America is historic.

What do you hope guest experience when viewing your artwork?
I hope that guest experience the vibrant colors of my Mexican culture, and I also hope that my work broadens their perception of immigration issues.

What role does the community play in your art?
The community plays a very important role in my work. My work is often based on their stories and experiences, and art is my tool for giving voice to the issues that are affecting us. 

What other imagery/stories do you explore within your work?
I have also told love stories with my art. In a recent commission, I narrated the story of a couple and blended family, with images detailing the places where they were from, where they met, and distinct aspects of their personalities and style. 

Come view Rosalia and other's artwork in the View from the Other Side exhibit at the Levine Museum, on display through February 2, 2014. 

Tell us what you think of Rosalia's work in the comments below and share with your friends!

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Destination Freedom Kick Off: Ask an Activist!

This Sunday is our official Destination Freedom Kick Off, a free afternoon program featuring panel discussions, new exhibits and entertainment, along with a special talk by Civil Rights activist Diane Nash.  In preparing for Sunday, we had the opportunity to ask several of the panelists questions surrounding the pivotal moments of the Civil Rights Movement, their own activism, and what they are looking forward to during the Destination Freedom Kick Off. 

 

Next up: Elver Barrios, Community Organizer at the Latin American Coalition

 

How does Sept. 15, 1963 relate to the causes you are most passionate about? What takeaways have you gained from the Civil Rights Movement?

Sept. 15, 1963 relates to causes I am passionate about because of the fact that there has always been people who, for various reasons, always feared or showed hatred towards others based on their skin color, gender or other identities. But, the fact that there is always someone that stands up to fight for what is right gives me courage to see that it might take a while to make changes. It is never too late to make those changes. I also look at the sacrifices from this day 50 years ago and think about how in movements for change sometimes there are sacrifices and losses.

Changing the immigration system is something that I’m really passionate about since I’m personally affected by the broken immigration system. I think that the Civil Rights Movement in the 1960’s is much like today when we are still fighting for a new group of people that are oppressed. I think that if there is something that I take from the Civil Rights Movement is that perseverance always pays off and that one person can make a difference if they fight with their heart to make a difference and work to make some else’s life better. 

 

How do you recall your activism and any highlights of it?

I think that my activism has impacted in a positive way the lives of many by encouraging them to join the movement. That together we can make changes so our undocumented immigrant families can stay together and not have to be separated.  In 2010, when the fight for the DREAM Act became stronger than ever, I decided to take a stand and fight for my education along with that of other young people in Charlotte and challenge our North Carolina Senators to fight for the future of this country. Although it did not pass, the youth immigrant movement only became stronger! Today, we have grown from that time and have realized the importance of focusing not only on ourselves as young people but also on our families.

 

What are you looking forward to during the Destination Freedom Kick Off

I think that it is important that we acknowledge that in this country there has always been a group of people that has been oppressed at some point in history, and the struggles are very much similar but yet so different. It takes more than one person to make those changes. During this event I hope to see people make the connections to what happened in 1963 and today and why it is important to fight not only for our struggles but also to help others overcome theirs.

 

Hear more from Mr. Barrios and others at Levine Museum, Sunday, Sept. 15, beginning at 3 p.m.

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